Gender imbalance is evident in the American theatre. An article in American Theatre Magazine clearly documents this condition, and a recent article in the journal Howlround highlights specific actions being taken by the LA Playwrights Initiative to address this situation.
With this post I am pleased to bring attention to important work on gender imbalance taking place in the international arena with a profile of Robin Chandler.
This is what Candy says about Sandra as Kali/Tree of Life, another SHE image created for the show “It is She Who I See.”
Candy Kuehn has been busy creating SHE images for use in It is She Who I See. This is what Candy says about Wendy Quilts Family.
In this post I continue to probe the issue of gender imbalance – to ask questions and seek answers; to provide some insights into how this topic infuses the show “It is She Who I See;” and to clarify how this relates to the mission of Interference Arts.
“It is She Who I See” celebrates the original woman who is in all of us, and launches an exploration of gender imbalance that permeates societies all over the world.
Norah Long sings Rita Dove’s poem “The Hill has Something to Say” at the workshop, audio/video recording session and special event “The Making of It is She Who I See,” September 17, 2012.
The audience put on wearable art by local artists and designers, and were invited onto the stage to experience the immersive multimedia environment at the workshop, audio/video recording session and special event “The Making of It is She Who I See,” September 17, 2012.
In this piece the group performs a deconstruction of Rita Dove’s poem “The Hill has Something to Say” at the workshop, audio/video recording session and special event “The Making of It is She Who I See,” September 17, 2012.
